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Potter to step into an open manhole…all that good stuff. We've lived through his highs and lows, rooted for him to get out of financial difficulty, cheered for Mr.
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This famous line is spoken by Harry Bailey, played by Todd Karns, in It's a Wonderful Life (directed by Frank Capra, 1946).īy the time this quote shows up, we've suffered along with George Bailey for nearly two hours.
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RKO, 1946.Family It's a Wonderful Life Love Relationship Positive Inspirational Happy Movie Assorted Movie Character Home Context James Stewart, Donna Reed, Lionel Barrymore, Thomas Mitchell, Henry Travers. So this movie will continue to be a personal favorite - but a personal favorite with an asterisk. But emotionally, as a librarian, it is hard to swallow. And Mary becoming an “old maid” highlights the point that they are each other’s true loves - that without the other, they are not truly whole. George is near breaking point, and he needs a shock to get him to appreciate life again. I know this scene is taken to extremes for the sake of the plot. That without men in our lives, the ultimate nightmare for women is… to become “old maid” librarians?! That if we get married, we are spared from this oh-so-terrible fate? Again, sigh. What’s so disturbing about this scene - again, only about 30 seconds long! - is the uncomfortable undertones of this scene (at least for librarians). “ Clarence…Where’s Mary?” video, uploaded by plurp7, is licensed under a Standard YouTube license She’s just about to close up the library!” A typical Spinster Librarian, right? (Sigh.) Mary clutches her purse, and finally screams and faints when he declares her to be his wife.Ĭlarence telegraphs the change in Mary: “You’re not going to like it, George. In the second half, she has become shy, furtive, non-trusting, and scared of men. In the first half, she is warm and funny and sweet. This does make sense, as the Spinster Librarian is one of the character types that heavily rely on stereotypical visual cues: the severe hairstyle, glasses, and prim clothing.īut worse than that is the change in Mary’s personality. This image is the stereotypical prototype for all Spinster Librarians. She is so covered up, almost hiding, with the hat and the gloves and the buttoned-up clothes. But without George, she suddenly loses her sense of style?! Glasses, sensible clothes, hat, hair pulled back, gloves, no makeup. Modern hairstyle, flattering clothing, fresh and clean. This screenshot from the film is in the public domain. Mary as the Spinster Librarian in the second half of ‘It’s a Wonderful Life’ (1946). Just look at the physical before-and-after: Her scene as the Spinster Librarian is only about 30 seconds long, but that image continues to haunt librarians. Throughout the nightmare he witnesses in the second half - his brother dying, his mother withdrawing into a bitter old woman - it is the scene with his wife that finally gets to him, that breaks him.Īnd what does Mary become if George is out of the picture? A Spinster Librarian! Sigh. And she MUST be believable as his one true love in order for the second half of the film to work, because what she becomes is the straw that finally breaks George. Throughout these scenes, she is quite lovely and open and trusting and displays a great sense of humor. We see lots of her in the film’s first half, through childhood adventures and young adulthood until George finally realizes he’s in love with her. Mary is George’s wife and one true love, played with intelligence and warmth by Donna Reed. Oh, who am I kidding?! I’m tearing up right now even typing about it!īut…. And I still find tears in my eyes toward the end when everyone chips in to save good ol’ George Bailey, and when James Stewart whispers, “Attaboy, Clarence” and winks after the bell rings on the Christmas tree. In the film’s nightmarish second half, George gets a rare second chance to see how life would have been without his presence - a concept that’s been seen time and time again, but it still feels fresh and raw every time I rewatch this movie. Both deservedly earned Oscar nominations, out of 5 total, including Best Picture. The director, Frank Capra, is in top form, as is James Stewart, who displays devastating depth as George Bailey, an ordinary man who aches to be extraordinary.
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And a personal favorite for many, especially as a TV staple at Christmas, thanks to its lapsed copyright in 1974 (although that was successfully challenged in 1993).